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Gea isplash photography how to#
Gea isplash photography manual#
Gea isplash photography professional#

So I set it as far from the action as I could and tried to keep the splashing water away from it. However, I wanted it to be a bright blue color, and the only blue thing I had was a big sheet of colored paper. It’s good if this material is waterproof. Wooden boards of any kind and narrow sheets of plywood will be your best friends here.įor a vertical backdrop, you can use anything with vibrant color.

So don’t choose granite or marble backdrops.Īnd it must be made from a material that can survive a glue gun: acrylic and plastic backdrops are definitely out of the discussion. Pick a surface you can turn upside down without much effort. Worth keeping even if you’re not shooting something unusual and dynamic.

They work great as general food photography backdrops too. I used two narrow wooden boards for interconnecting flooring. One to place the limes on and another to create a brightly colored background.įor the first one, it’s better to choose something narrow that you can easily take down.

A vibrant background (preferably a washable and waterproof one) Ī note about backdrops – we need two.

Horizontal backdrop (something narrow and lightweight).

Still life items (lime slices, mint leaves, a couple of acrylic ice cubes, and maybe a martini or other cocktail glass).

A transmitter or sync cable for your flashlight (optional).

Pick Your Splash Photography Propsīesides the flash suitable for shooting at high speed we will need: I have to set the power of my speedlights at about 1/8 or even 1/128. You may need to lower the power of your flash a bit to reach a required impulse speed.

Gea isplash photography manual#

Pick a Speedlight flash or a fast enough strobe.Īlso, check your manual and find if the impulse speed of your light source is at least over 1/4000s. This is the speed that helps freeze liquid in motion and keeps all the drops sharp and clear. In my experience, short enough flash duration for water splashes is about 1/4000th of a second. This shot should look like a black rectangular. To avoid blurred drops, take one shot with the speedlights turned off. This way, the camera sensor is only exposed to the light for the duration of the flash. If there’s no ambient light available, the flash is the only visible light source. It won’t matter if your shutter speed is set for 1/250 of a second or for a half a minute. The light will be hitting the sensor of your camera for only the amount of time the flash is working, lighting the scene. Since you are shooting in a dark setting (and you should!), the flash duration will become your shutter speed. It refers to the length of time that a flash emits light for a single burst. This is a characteristic of any flash or strobe. You can use anything that has a short enough flash duration though. These are affordable and easy to use solutions for frozen motion problems. In my case, the scene is lit with two SB-910 speedlights. You can use strobes or hot shoe flashes (speedlights). It must be suitable for shooting high-speed scenes such as photographing water drops.

Gea isplash photography how to#

How to Freeze Motion for Splash Photographyįirst of all, we need a light source. When you choose this mode your camera will select the most suitable aperture for the shot.1. Shutter priority mode can be selected as this kind of photography doesn’t need completely manual controls. We preferred a dark background that milk splashes easily stand out. You will also need a plain-colored surface or backdrop to make the viewers focus on the splash and droplets. Keep that in mind, using an external and natural light source and flashgun will provide you to add more depth and dimension to your subject. In addition, using the fastest shutter speed, delaying the shutter automatically after a few seconds with a remote trigger like MIOPS Smart+ will help you to minimize internal vibrations and get more sharp images. Having a remote shutter or camera trigger is another important thing. You can capture the most perfect milk droplets with the help of it. A macro lens will provide you to have sharp close-up shots from a shorter distance.

Gea isplash photography professional#

Any professional camera lens can do this but if you really want to produce the best results, try to use a true macro lens.

In order to produce the best results, it’s a good idea to use a macro lens. So we advise you to use a high-quality digital camera like Canon EOS 6D. They will also capture the water in the movement but the final image would be blurry. You can prefer a lower quality camera like compact digital cameras or smartphones. When you take a milk splash photo you should configure your camera to shoot in milliseconds. Keep the shots steady and take multiple shots.Utilize your camera’s high-speed flash sync.Decide your backdrop before the shooting.Nozzle and milk surface distance: 15-20cm Tips for Capturing the Most Creative Photos of Milk Splashes and Droplets: